Archives of Humanities & Social Sciences Research
- ISSN: 3065-3568
Ebele Peace Okpala and Adaobi Olivia Ihueze
In African cultural contexts, infertility often imposes severe social sanction on married women unable to bear children, as reproduction is centrally tied to notions of healthy womanhood and familial lineage. Female writers have compellingly rendered the trauma of barren women in patriarchal societies pressuring them to produce progeny to secure marital stability. However, Ifeoma Odinye’s novel My African China substantively flouts such conventions by depicting a polygamous husband, Agiriga, as the figure attracting communal ridicule and ostracism for his sterile predicament across four marriages. This paper utilizes feminist literary analysis to elucidate Odinye’s subversion of gendered assumptions underlying the stigma of childlessness. Her political inversion insightfully highlights the need for greater public awareness that male-factor infertility is equally responsible for many couples’ childless condition. Ultimately, Odinye utilizes humour and paradox to caution against excessively burdening women over matters of biology heavily contingent on both partners’ reproductive capabilities. This paper concludes by reiterating calls for educational efforts promoting more equitable social expectations.